September 23, 2011

Center for the Arts Presents... Fall 2011



Join the School of Visual and Performing Arts each month for a celebration of the arts, culture and entertainment in the Center for the Arts complex at Chaffey College.

Tuesday, September 27, 2011
5:00pm CAA-211
Professional World versus the Academic World
This workshop will cover the differences and similarities of auditioning for collegiate and academic programs versus professional gigs and productions. What skills should every music student need to master in order to transfer from Chaffey College?  What should every theatre student have in their repertoire?  This workshop will be co-hosted by Christa El-Said of the Theatre Department and Patrick Aranda of the Music Department.

Friday, October 21, 2011
5:00pm CAA-206
Fall Dance Student Showcase 2011
Chaffey College’s second annual student dance showcase will feature new student choreography in a variety of dance styles including modern, jazz, hip hop, and creative fusions in an informal evening performance. Choreography by Chaffey students, Artistic Director Michele Jenkins.

Tuesday, November 15, 2011
5:00pm CAA-211
Wignall Museum of Contemporary Art Panel Discussion
A panel discussion featuring artists from the fall exhibition: Elonda Billera, Lester Monzon, Chad Petersen, andDakota Witzenburg.

September 21, 2011

Dia De Los Muertos


click image to enlarge

Day of the Dead Art Workshop at Chaffey College on Wednesday, October 19, 12:30-1:30 CAC-105. Join us for a hands-on workshop that will focus on the tradition of Dia de los Muertos (Day of the Dead). This workshop is free and open to all Chaffey College students, faculty and staff. Space is limited. Arrive early to ensure a seat.

Dia De Los Muertos celebration on Wednesday, November 2, 12:30-2:00, Wignall Museum Patio.

September 20, 2011

Getty Center Bus Trip

The Associated Students of Chaffey College (ASCC) is sponsoring a free bus trip to the J. Paul Getty Museum of Art at the Getty Center in Los Angeles on Saturday, October 8, 2011. The trip is open to students who have paid the college service fee. Students can reserve a seat now at the Student Activities office and must bring their tuition payment printout and ID when they sign up for the trip. Seating is limited so don't delay.

September 14, 2011

Art/Object

td[s], Elonda Billera, Lester Monzon
In the project space: Nathan Bennett
Curated by Roman Stollenwerk
September 12 – November 23, 2011
Reception for the artists: Wednesday, September 14 from 6-8pm

Chaffey College and the Wignall Museum of Contemporary Art are pleased to present Art/Object featuring projects and exhibits by td[s], Elonda Billera and Lester Monzon. The Wignall is also pleased to present Nathan Bennett in the Project Space. Art/Object began with a desire to include innovative contemporary design in our upcoming 2011-2012 programming at the Wignall. The fact that Chad Petersen & Dakota Witzenburg of td[s] have backgrounds in fine art was an intriguing idea that blurred the separation of art and functional design; both Petersen and Witzenburg are trained as studio artists and both have experience working as art professionals at museums and galleries. Attempting to classify designers and artists is not a new problem; however, doing so continues to raise interesting questions about how a person’s training influences our response to their creative work and how our response to objects changes depending on the context and how the object is displayed. This selection of exhibitions and projects expands upon some of these questions by presenting variations on the relationship art/object.

td[s] (todosomething) is a design and fabrication studio specializing in furniture and cabinetry that is crafted in their Los Angeles workshop with a commitment to sourcing local, domestic materials. Designers Chad Petersen & Dakota Witzenburg of td[s] have developed a signature style with a focus on craftsmanship that is characterized by a use of tactile materials and unique finishes blended with interpretations of minimalism, mid-century modernism, and Shaker Style. As designers, Petersen and Witzenburg are interested in creating pieces that explore the boundaries of what functional objects mean to their users in a contemporary setting.

Elonda Billera’s practice is a mixed-media and multidisciplinary forum for social exchange (both physical and psychic). She creates evocative compositions that use photography, video and sculpture, often modifying and recontextualizing found objects that have their own past experiences as previously valued items. Billera’s work brings attention to the way that objects can function as emotive markers of social relations.

Los Angeles-based painter Lester Monzon creates paintings that give the appearance of passionate expression; however, Monzon’s work is actually created through a precise and calculated process of glazing thin layers to represent textured marks of thick paint. By creating methodical representational paintings of apparently hurried abstract gestures, Monzon shows how the act of rendering defines the content itself. In the process Monzon demonstrates the contrived nature of human expression and questions the efficacy of sharing subjective experience. Monzon’s work also points to the materiality of paint (or lack thereof) and in the process makes the viewer consciously aware of the paintings as objects. Monzon’s skillful trick, however, is to create this awareness by using the techniques of representational painting, which generally place focus on the image and divert the viewer’s attention from the material construction of the painted object.

In the project space:
Nathan Bennett is a New York-based artist who uses photography, video, sculpture and drawing in his multidisciplinary practice. Bennett often integrates readymades and appropriated imagery in his work to present pieces of commercial culture with an uncanny tinge. He is interested in philosophy, psychoanalysis and anthropology as social theory practices that confront the limitations of history and the production of culture. In his work, Bennett hopes to create moments of desire and alienation that function as a magnifying glass for the irrationalities of capitalism.

The exhibitions and reception are free and open to the public.

WIGNALL MUSEUM OF CONTEMPORARY ART
Chaffey College, 5885 Haven Avenue, Rancho Cucamonga, CA 91737
Park in the North Parking Lot - Permits can be purchased at machines for $2.
Parking is free during museum receptions and special events.

INFORMATION:
(909) 652 - 6492, www.chaffey.edu/wignall

September 13, 2011

Stanton Hunter: Migration Grids 3.0

Stanton Hunter: Migration Grids 3.0
Reception: Saturday, September 17th 6-9pm
Runs: September 10th through October 16th

Fifth Floor
502 Chung King Ct.
Los Angeles, CA

Fifth Floor is pleased to present Stanton Hunter's, "Migration Grids 3.0" which is inspired by the invisible migration grids* of the Monarch butterflies and imagines what it would be like if humans could see this hidden phenomenon. Explorations into how the grids might actually appear are expanded to include computer generated 3D grids, fractals, maps, nests, spider web cocoons over prey, and bamboo roots. Visual connections start to be seen from microcosm to macrocosm as the gallery space is conceptually transformed into a sky-viewing platform from which to follow the grids.

Hunter uses a very terrestrial material, clay, to make something celestial. Earth, associated with mass and permanence, is translated into these shifting, ephemeral, and ethereal sky-forms. The work is about more than the ceramic forms, as they encompass void more than object and the complex shadows they cast are immaterial. But together, the objects and shadows point to what can’t be seen, at least by the human eye.

Hunter has been an instructor and guest lecturer at Art Center College of Design in Pasadena, ran the ceramics program at Scripps College in Claremont for five years, was a visiting Assistant Professor of Art at Pitzer College also in Claremont, and is currently Associate Professor of Art at Chaffey College in Rancho Cucamonga. He received his MFA from the University of Southern California in 2000 and he did his undergraduate work in perceptual psychology/alternative education at Eckerd College in St. Petersburg, Florida.

*Monarch Butterflies making their annual migration from the eastern United States to winter residences in Mexico’s Sierra Madre mountain ranges find their way by following a three-dimensional map of polarized ultraviolet light, a study has found. Though UV light is invisible to humans, to butterflies it appears as a grid in the sky that emanates from the sun...
-Science File of the Los Angeles Times, May 7, 2005. Research findings of Dr. Adriana Briscoe, UC Irvine, and Dr. Steven Reppert, U Mass Medical School.




Artweek.LA

September 9, 2011

Center for the Arts Presents...

Professional World versus the Academic World
Tuesday, September 27, 2011
5:00pm CAA-211

This workshop will cover the differences and similarities of auditioning for collegiate and academic programs versus professional gigs and productions. What skills should every music student need to master in order to transfer from Chaffey College? What should every theatre student have in their repertoire? This workshop will be co-hosted by Christa El-Said of the Theatre Department and Patrick Aranda of the Music Department.